The 100 Best Songs Of 2011: 30-21
30. BETH DITTO ‘I Wrote The Book’
I’m a moderate fan of Gossip, and I think ‘Standing In The Way Of Control’ and ‘Heavy Cross’ are amazing, but I didn’t quite expect the Beth Ditto EP to be such a mini-masterwork. ‘I Wrote The Book’, the heavily eighties influenced lead track, is Beth Dit going full pop, with slinky beats and her sexy vocal wrapping themselves around each other. “Remember I know every trick in the book”, she sings, her shakily defiant voice perfectly fitting the dark-back-alley vibe. The awesome ‘Justify My Love’-style video is the icing on the cake.
29. WILL.I.AM ft. JENNIFER LOPEZ & MICK JAGGER ‘T.H.E. (The Hardest Ever)’
OMG. I can’t explain how much I love this. Will is amazing. J.Lo is amazing. Mick fucking Jagger is amazing. The video is amazing. The beat, the lame one-line chorus, every ridonk lyric, all of it – amazing. “This beat is the shit – feces”. “I go hard – statues”. “I’mma go dumb, smart I am”. I love how Mick appears out of nowhere, and in the video, how he appears in outer space. I love “hard like geometry, trigonometry, this is crazy – psychology”. I love how this has divided everyone – you either think it’s ridiculously good or just ridiculous.
28. BRITNEY SPEARS ‘Inside Out’
Britney’s sexiest performance in years is captured on ‘Inside Out’, where she begs her soon-to-be-ex-boyfriend to “turn her inside out” one last time before they break up. With ‘…Baby One More Time’ lyrical references and a slow-motion beat, Britney writhes her way through this song, switching from sexy to desperate and back with ease. If ‘Criminal’ had done better I expect this might have been a single, and it would have been a wonderful single indeed. When Brit yells “come on!”, she sounds, as Cher might say, alive again.
27. SNOOP DOGG & DAVID GUETTA ‘Wet’
The edited version of this song, ‘Sweat’ is alright, but there’s something about Snoop asking “tell me baby are you wet?” that makes ‘Wet’ a truly glorious club track. Guetta’s production is pretty standard but still fantastic, with the beat taking a backseat at all the right times and allowing Mr. Dogg to work his magic. One of the unsexiest rappers makes one of the sexiest tracks of the year. Pure filth, and pure joy.
26. ADELE ‘Set Fire To The Rain’
If Adele doesn’t do the next James Bond theme, it’s okay because she’s already done one in ‘Set Fire To The Rain’. A rolling, relentless epic, a power ballad from another planet, this fills your ears with all sorts of wonderful emotions and sounds, not least of which is Adele’s tremendous voice. More ‘Rolling In The Deep’ than ‘Someone Like You’, just when you think this can’t get bigger it surprises and goes further, and further, and further into OTT territory. And it sounds like heaven.
25. FRENZAL RHOMB ‘Knuckleheads’
I’ve always said that Frenzal Rhomb have a gift for melody that many in their genre simply don’t, and ‘Knuckleheads’ provides us with an awesome melody that is among their all-time best. Not just a triumph of mood-capturing instrumentation, this song is also steeped in a lot of anger, as shown by the lyrics. “And every time we meet it ends up in strife/You fucks have been my enemies my whole fucking life” – as a statement against judgemental bullies, this is much more important and believable than many of the mainstream be-yourself anthems released in the past few years. A great achievement for a very underrated Australian band.
24. DOLLY PARTON ‘Together You And I’
As bright as the sun and just as hot, Queen Dolly serves up another slice of joy with ‘Together You And I’, a pure and simple love song that strings together a glorious list of clichés to become the musical equivalent of a sappy chain email – and it’s beautiful. In her trademark country-pop style, Dolly’s unmistakable, undeniable voice sails through the heavens and down to us mere mortals, and she imparts her wisdom upon us. ‘Together You And I’ has everything you could want from Happy Dolly (I have a different set of requirements for Sad Dolly), and I challenge anyone with a soul to listen to this and not feel on top of the world.
23. KATE BUSH ‘Wild Man’
The music during the verses of ‘Wild Man’ might fool you into thinking this seven-minute track is one of Kate’s sunny midtempos. But the trepidation in her slightly sinister whisper might alert you that something else is coming – and that something else is the absolutely terrifying chorus. If I was a child I might never leave my bed after hearing this. I feel a bit creeped out just thinking about it. And yet this tale of a Bigfoot-type creature is still catchy, makes for a great single, and if Kate still did videos with her in them I could imagine her waving her arms around like a windmill in the snow with some guy dressed in a gorilla outfit.
22. RICKI-LEE ‘Raining Diamonds’
Where the fuck did this come from? Seriously, where? Ricki-Lee has done a grand total of two really great songs in the past (‘Sunshine’ and ‘Love Is All Around’) but ‘Raining Diamonds’ make the both of them look like a pile of puke. This is just… unbelievable. I can’t believe this is an Australian pop song from 2011. Even Kylie hasn’t released something as good as this is yonks. There’s nothing more to say. Ricki-Lee has changed the game. WAAAA-OHH-WOAAAAAH!!! WAAAA-OHH-WOAAAAAH!!!!
21. DARREN HAYES ‘The Siren’s Call’
I find it a bit mind-boggling that the type of song most writers would give their right arm for seem to just pour out of Darren Hayes. It’s in his blood to write sprawling epics like ‘The Siren’s Call’, the song that closes Secret Codes And Battleships. And while two very, very good singles beat it to being the best song on the album, ‘The Siren’s Call’ is still mighty impressive. The musical tapestry here is rich, with Darren’s voice occasionally making way for a hauntingly deep vocal sample, until the two join together in unison for one of the most powerful pop moments in recent memory. “I can almost taste happiness” – I can taste perfection Darren, and it’s here in this song (…and the two others we’re yet to reach).































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